A unique fusion of illustration, customization, and product design applied to one of the brand’s most iconic silhouettes.

Drawing inspiration from classic motorcycle poster art and the spirit of the open road embodied by one of the world’s most iconic motorcycle brands, the piece showcases Corpz’s signature illustrative style, executed entirely by hand using traditional acrylic painting techniques.

Created to integrate seamlessly with the device’s layout and functionality, the illustration applies Corpz’s signature lowbrow visual style to a highly technical surface. The project also involved coordinating the production of a custom vinyl skin, ensuring the artwork translated successfully from illustration to a fully functional performance tool.

Blending Peruvian cultural elements, including a chicha-inspired surfboard and a floating cajón, the artwork was designed specifically for a 360-degree packaging format, transforming the can into a vibrant collectible experience.

Beginning in 2023 with the creation of The Bombing Vandal, the band’s official mascot, the project has evolved into an annual character series in which a new incarnation of the Vandal is unleashed each year. Drawing inspiration from skateboarding, punk rock, graffiti, underground culture, and DIY aesthetics, each illustration expands the character’s visual identity while maintaining its distinctive personality.

Originally developed as collectible sticker artwork and later adapted into a limited-edition t-shirt design, the series demonstrates the long-term evolution of an original mascot while remaining rooted in skateboarding and punk culture.

Based on the campaign concept that the Mitsubishi ASX “doesn’t make false promises,” Facebook users were invited to submit their own excuses, broken promises, and everyday exaggerations through Mitsubishi Perú’s official Facebook page. Selected entries were then transformed into original cartoon illustrations.

A total of ten illustrations were created and published online, while six of them were later adapted into a printed postcard collection. Several additional concepts were also developed, including sketches that were approved internally but ultimately left out of the final campaign.

The postcard series was distributed through GoCard Perú, a free postcard network with citywide distribution across restaurants, bars, institutions, and other high-traffic venues. Each design was printed in quantities of thousands and made freely available to the public.

The project combined audience participation, advertising, and humor, turning real user submissions into a series of character-driven illustrations that generated strong engagement both online and through the printed postcard campaign.

Decades later, we crossed paths again at a rooftop barbecue hosted by a mutual friend. We got to talking about publishing a zine of my work.

But before that, Carlos Palacios suggested we kick things off by creating a brand-new piece together, something wild. He asked for a full-throttle punk concert illustration loaded with monsters.

So I brought the chaos: 90s energy, skate-art attitude, and plenty of hidden Easter eggs for the sharp-eyed weirdos out there.

Entes Anomicos x Corpz’s Wrong Way Kids is the result — a signature piece built from scratch for a brand that helped shape my roots.

It all started with a messy pencil sketch to capture the raw spirit of the scene. I cleaned it up, locked in the composition, and then brought it to life with bold digital colors, sharp lines, heavy contrast, and a vibe that doesn’t quit.

Wanna create something epic together?
Drop me a message — let’s chat and make your ideas a reality!

So years later, getting the chance to create custom artwork for a pair of pro karting gloves felt like a full-throttle flashback — but this time, I was part of the action.

This badass custom piece was made for my friends at Karts & Chelas, a signature glove design built to stand out and reflect the chaos-fueled energy of my style.

What excites me the most about illustration is embracing the unknown — letting the challenge pull me into new territory — and this project delivered that big time. Designing for karting gloves wasn’t as simple as sketching something cool. Each glove is made of three separate sewn panels, so I had to get surgical with details and visual flow.

The process started with pencil sketches and moved into full printed mock-ups of scaled paper gloves — to test wraparounds, seam placement, and how the whole design would move with the hand. It had to feel aggressive from every angle. Looking ordinary was never an option.

The result? A signature piece that screams Corpz — pure graphic mayhem crafted with precision. Now it’s the gloves’ turn to bring art and attitude to the racing track.

For inquiries an commissions I’m open for business worldwide, just contact me to talk about your project and budget.

I did it on my signature illustration style, started (as always) from a pencil sketch, and later using vector drawing.

Later, I adapted the artwork character and label color for each beer type and flavors: AGUAYMANTO (Golden Berry), NÍSPERO (Medlar fruit), HIDROMIEL (Mead) and IPA.

I was commissioned -by a client- to create a huge collection of PFP NFT’s with the total freedom to suggest the logo and the concept art of the character and traits.

I choose to create a Coffee mug thirsty Zombie, and after creating the lettering for the logo and the character variations, I started to draw the entire collection.

Always starting from pencil sketch, inking and later vector drawing and coloring (the same process as all my work).