Decades later, we crossed paths again at a rooftop barbecue hosted by a mutual friend. We got to talking about publishing a zine of my work.

But before that, Carlos Palacios suggested we kick things off by creating a brand-new piece together, something wild. He asked for a full-throttle punk concert illustration loaded with monsters.

So I brought the chaos: 90s energy, skate-art attitude, and plenty of hidden Easter eggs for the sharp-eyed weirdos out there.

Entes Anomicos x Corpz’s Wrong Way Kids is the result — a signature piece built from scratch for a brand that helped shape my roots.

It all started with a messy pencil sketch to capture the raw spirit of the scene. I cleaned it up, locked in the composition, and then brought it to life with bold digital colors, sharp lines, heavy contrast, and a vibe that doesn’t quit.

Wanna create something epic together?
Drop me a message — let’s chat and make your ideas a reality!

So years later, getting the chance to create custom artwork for a pair of pro karting gloves felt like a full-throttle flashback — but this time, I was part of the action.

This badass custom piece was made for my friends at Karts & Chelas, a signature glove design built to stand out and reflect the chaos-fueled energy of my style.

What excites me the most about illustration is embracing the unknown — letting the challenge pull me into new territory — and this project delivered that big time. Designing for karting gloves wasn’t as simple as sketching something cool. Each glove is made of three separate sewn panels, so I had to get surgical with details and visual flow.

The process started with pencil sketches and moved into full printed mock-ups of scaled paper gloves — to test wraparounds, seam placement, and how the whole design would move with the hand. It had to feel aggressive from every angle. Looking ordinary was never an option.

The result? A signature piece that screams Corpz — pure graphic mayhem crafted with precision. Now it’s the gloves’ turn to bring art and attitude to the racing track.

For inquiries an commissions I’m open for business worldwide, just contact me to talk about your project and budget.

This one was made obviously with a lot of remembrance to the 90’s skate-art! 🔥💀

The process: started with some rough pencil ideas, later a clean pencil sketch that resulted in a new inked original artwork, with a digital coloring.

For inquiries an commissions I’m open for business worldwide, just contact me to talk about your project and budget.

I did it on my signature illustration style, started (as always) from a pencil sketch, and later using vector drawing.

Later, I adapted the artwork character and label color for each beer type and flavors: AGUAYMANTO (Golden Berry), NÍSPERO (Medlar fruit), HIDROMIEL (Mead) and IPA.

The concept idea was around humanity as zombie-puppets, guided by a elite of power portrayed by rats in suits.

As all my process it begins with a Blackwing pencil sketch, later I ink the artwork with a brush and a quill pen ink over a 250gr Lana Papier hi-quality french Bristol board.

This 3-set skate decks is called DOPE BRAINS. The design was done on my own style, pursuing the color scheme of the classic early 90’s skate-art. Started from pencil rough, later with a clean sketch, then I went through inking over a 300gr Bristol board to finally refining & coloring at Adobe Illustrator.

I started as each of my illustrations with a pencil sketch drawing, later inking, and finally the work turns digital.

When I have everything on set, -as each one of the illustrations I made in the last 25 years-, I started with a rough idea, refined on a pencil sketch and then it becomes a line-art inked artwork just before jump to scan the line-art, and do some digital coloring in it.

No tablets, no filters, just old-school handmade drawing with vector mouse-click coloring.

After I had the final artwork done, I called one of the best companies that work on vinyl printing, die-cut and mounting. They do a supreme job with an exceptional surgical skills to get the skin over the FLX4 Controller, as I have in my mind since the beginning of the project.

The art concept behind this t-shirt was done with the band, where the main idea was to show “the beast within” we all have, done in my own style and of course with a obvious Lovecraftian reference.

I started with a Blackwing pencil sketch on my sketchbook, and later I used a brush, a quill pen, and lots of black ink over a 250gr Lana Papier hi-quality french Bristol board.

I was commissioned -by a client- to create a huge collection of PFP NFT’s with the total freedom to suggest the logo and the concept art of the character and traits.

I choose to create a Coffee mug thirsty Zombie, and after creating the lettering for the logo and the character variations, I started to draw the entire collection.

Always starting from pencil sketch, inking and later vector drawing and coloring (the same process as all my work).